“阅读与写作”系列课程介绍、精彩摘录

Sep 14,2024Steven Zhu
“阅读与写作”系列课程介绍、精彩摘录

英文文学阅读与写作系列课程介绍

Steven 老师的阅读和写作课程,根据需求,定制不同长度,例如:12周或20周,包括了不同主题例如:创意写作、大学申请文书写作、小说、诗歌、戏剧、阅读与写作的课程,学生们也可随时参加不间断的常年课程,有些系列连续开办四年多直至学生毕业,精心备课,四年来每节课内容不重复。Steven已经教授过2-3个周期,最早的学生都已经大学毕业了,积累了很多经验。

 

写作课时间安排

 

6-7 年级  阅读写作 

周二 6–8 pm(满员、招候补)

8-10 年级  阅读写作

周三 6-8 pm(满员,招候补)

周六 2-4 pm

10-12 年级阅读写作

周六 4:30-6:30 pm

 

SAT 单词语法 

周六 9:30-11:30 am

SAT 习题训练讲解

周日 4:30-6:30 pm

 

地点

5549 Dunbar St,Vancouver

面授 Online 同步开启

 

文学阅读和写作

1. 阅读与写作文学导论 (Introduction to Reading and Writing about Literature)

2.  良好阅读的重要性(The Role of Good Reading)

3. 写作过程(The Writing Process)

4. 常见的写作作业(Common Writing Assignments)

5. 故事写作(Writing about Stories)

6. 诗歌写作(Writing about Poems)

7. 戏剧写作(Writing about Plays)

8. 文学研究写作(Writing a Literary Research Paper)

9. 文学评论与文学理论(Literary Criticism and Literary Theory)

课程结构模式一般是:每节课由30-40多页PPT构成,老师精心备课、讲课节奏高效、注重启发诱导

 

1. 写作提示

明确课堂教学目标后,用10 分钟左右的时间,训练限时短文写作,回答一些专门设计的、鼓励学生自我思考的小问题。例如“你最近对什么事情的看法、观点发生了改变?为什么?你为何应该移居到另外一个地方?为什么?  你为什么刚好应该在这里?有时候会讨论在学生周围发生的令人烦恼的事情,怎么应对?有时候会带学生头脑风暴并产生联想,例如:“尽可能多地列出与海洋有关的动词”,之后是一轮讨论……学生们分享他们的思考,互相学习

2. 进入“文学阅读和写作”部分

这部分课程内容是为大多数中学英语课程量身定制的。首先要培养良好的阅读和写作习惯,如细读、记笔记、计划提纲和起草论文陈述。然后,着重于特定类型的写作,例如:总结、分析、比较/对比、研究性论文、计时作文,以及学生将要学习的主要文学体裁的分析,例如:短篇小说、小说、诗歌、戏剧、议论或记叙文……

3. 高级语法和句子结构

每课的最后一部分着重于句子层面的写作,详细评析精彩的句子,手把手教授学生写作技巧。教授语法的基本元素,如何被用来创造优雅的句子,选取各个时期、来自世界各地著名作家的作品的例子。学生将学习如何使用简单的短语和技巧,以新的和创造性的方式来表达他们的想法。

下面摘要介绍高级班写作课“戏剧专题”的其中一课

首先明确课堂教学目标:

  • 写作提示(Prompt)

  • 戏剧写作(Writing about plays)

  • 修改回顾学生写作(review, sample student essay)

  • 语法,自由修饰语:分支句子,写作练习(Grammar,Free modifiers: branching sentences, writing practice))

    1. 第一部分

    第一部分:从写作提示开始,要求学生们描写“一只鸟站在电线上,寻找早餐。” 从鸟的角度进行描写,但不要提及你是一只鸟。发现以下的主题:关于自我,关于周围环境,自由。

    Prompt

      • A bird is perched on a wire, looking for its morning meal. Write from the bird's perspective, without mentioning that you're a bird.

    Prompt

    Discovered ideas/themes:

        • About myself
        • About my environment
        • Freedom

     

    2. 第二部分

    接着分析戏剧的要素和特点、剧情、人物、主题,场景等,剧院,演员、观众分析……如何阅读经典的戏剧段落

    How to read a play

    • 大多数剧作家并不打算让他们的戏剧被"阅读"(Most playwrights do not intend their plays to be “read”)

    • 戏剧是为了表演和观看而写的(Plays are written to be performed and watched)

    • 用你的想象力去思考每一行舞台指示和对话是如何被表演的(Use your imagination to see how each line of stage direction and dialogue might be performed)

    • 尽量观看广受好评的戏剧的电影版本(Try to watch critically acclaimed film versions of your play, if available)

    • 如果能现场观看表演就更好了!(比如海滩上的莎士比亚)(If you can watch a performance live, even better! (Bard on the Beach))

     

    如何阅读戏剧:导演的问题(第一部分)(How to read a play: Director’s questions (1 of 2))

     

    • 主要信息/主题是什么,主导情感是什么?(What is the main message/theme? What are the dominant emotions?)

    • 什么类型的剧院最适合演出这部戏剧?一个巨大的音乐厅还是一个亲近观众的20座小剧场?(What kind of theatre is best to perform this play in? A huge concert hall or an intimate 20-seat venue?)

    • 谁会来看这场演出?年老的/年轻的?家庭?受过教育的?富有的?还是混合的?这部戏剧最能引起谁的共鸣?(Who will come to watch this performance? Old/young? Families? Educated? Wealthy? A mix? Who will the play resonate with the most?)

    • 你会选择哪些演员/名人来担任主要角色?他们的外貌如何(年龄、外貌描述…)?他们的声音如何(响亮的?令人反感的?尖锐的?柔和的?胆小的?自信的…)?(Which actors/celebrities would you cast in the lead roles? What do they look like (age, physical description…)? What do they sound like (loud? obnoxious? shrill? soft? timid? self-assured…)?)

    • 你希望在舞台上看到什么样的肢体动作?剧本中最具戏剧性的时刻在哪里?最平静的时刻在哪里?(What kinds of physical movement do you want to see on stage? Where are the most dramatic moments in the script? Calmest moments?)

     

    如何阅读戏剧:导演的问题(第2部分)How to read a play: Director’s questions (2 of 2)

     

    • 布景设计会是什么样子?它如何在戏剧的不同阶段改变或保持不变?What would the set design look like? How does it change or remain the same at various points of the play?

    • 将使用什么样的服装?特定时期的?现代的?服装的变化如何促进角色的发展?What kind of costumes will be used? Period-specific? Modern? How do the changes in costuming contribute to character development?

    • 你想要多少视觉效果?会有生动的音效或灯光效果吗?还是更低调的,利用对话和沉默来制造紧张感?视觉效果如何帮助传达戏剧的信息?How much spectacle do you want? Will there be vivid sound or lighting effects? Or will it be more understated, letting dialogue and silence create tension instead? How does the spectacle contribute to the play’s message?

     

    Plays: First impressions (The Master Builder, Ibsen, 1892) 

     Plays: First impressions (The Master Builder, Ibsen, 1892) 

    Plays: First impressions (The Cherry Orchard, Chekhov, 1903)

     

    怎样进行戏剧评论写作

    Plays: First impressions (The Master Builder, Ibsen, 1892)

     

     介绍和分析几篇学生习作

    Writing about Plays: Student Example

     

    3.

    是名家名句分析:词汇的运用、高级语法和句子结构,例如怎么从动词,形容词、介词和连词开始整个句子,倒装句带来的突出重点 、效果放大的分析,学习阅读技巧、表达技巧、从而写出高水平的戏剧赏析。通过分析名家名剧,学生耳濡目染掌握了优美的遣词造句。

     

    以下为名家名句的摘录与分析:

    Short sentences

    • The moose is as winter a creature as just about any.(Trudy Dittmar. Fauna and Flora, Earth and Sky, 33)

    • The streets were calm with Sunday. (Aimee Bender, An Invisible Sign of My Own, 69)

    • The world was newborn. (Jonathan Franzen, The Corrections, 329)

    Grammar as Style: Free modifiers, Branching sentences

    • The stream of sound is not continuous, but is produced and interpreted (though seldom consciously) as a series of separated word-groups....It is segmented into minor syntactical units, each of which has superimposed upon it a pattern of stress and intonation. (Ian Gordon, The Movement of English Prose, 19,21)

     

    Branching sentences

    • During the slow journey from Winton, seated opposite me in the third-class compartment, wearing a shabby grey dress pinned with a large cairngorm brooch, a thin necklet of fur, and a black-winged hat which dropped over her ear, she had gazed out of the window, her head to one side, her lips moving as she maintained a silent yet emotional conversation with herself, from time to time touching the corner of her eye with her handkerchief as though removing a fly. (A.J. Cronin, The Green Years, 3)

     

    Conjunctions and coordination

    • There was a crowd of kids watching the car, and the square was hot, and the trees were green, and the flags hung on their staffs, and it was good to get out of the sun and under the shade of the arcade that runs all the way around the square. (Ernest Hemingway. The Sun Also Rises, 94)

    • He made the Emperor laugh and the horse couldn't better him, so he stayed. And I stayed. And we became friends. (Jeanette Winterson, The Passion, 4)

    Verb phrases

    • After Inniscarra the hills gather closely, and the river laughs out loud. It dances, it prances, it rushes, it slides, calm for a moment then onward again, stream racing stream, leaping and tumbling, wild Bacchanalian, wine from the mountains, froth from the ecstasy blown through the reeds. Mile after mile, past larch woods and beech woods and fern-covered hillsides, castles, and ‘standing stones’ cresting high ground. In comes the torrent from wild Knockabrocka, bringing turf waters from Aghabullogue; down comes the water from Carriganish. (Robert Gibbings, Lovely is the Lee, 190)

    Noun phrases

    • Leaves long dead and brittle as old butterfly wings, an aqua candy wrapper, flecks and dust and seed-sized snips of gutter chaff all hurried in a rustling revolution under our eyes...(John Updlike. The Centaur, 130)

    • Pursuit planes were traded for additional cargo ships or retained for emergency invoice duty and small-parcel services; trucks and tanks were procured from the ground forces and used for short-distance road hauling. (Joseph Heller, Catch-22,259)

    • She bought the green glove silk slip and the tea-colored lace. (Katherine Anne Porter, Flowering Judas and Other Stories. 200)

    Prepositions

    • The procession of men and women from the street into the station and down the escalators towards the trains becomes a movement from a world above to an underworld of death. (Ralph Freedman. The Lyrical Novel, 258)

    • All the way home in the taxi and in the life up to her flat on the seventh floor. Mrs. Liebig kept on talking. (Angus Wilson, A bit off the Map and Other Stories, 107)

    通过写作课程训练,学生们的思考和写作能力在稳步提升着,善于口头和书面表达,绝大部分学生认为这一训练对他们之后准备写大学入学论文,以及为创造性写作构思,寻求有趣的人物和情节非常有帮助。有些学生在学校获得英文、社会学年级第一;有些写作竞赛获奖;有些学生撰写出高水平论文,进入爱荷华写作夏令营,各种水平的学生都能有较大的收益,学校英语成绩提升,最重要的是,学生学会深入思考。正如有些毕业生,临别专程看望老师时所言,不仅学到了写作技巧,而且改变和建立了他们人生观。

     

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