"Reading and Writing" series course introduction and wonderful excerpts

Sep 14, 2024Steven Zhu
“阅读与写作”系列课程介绍、精彩摘录

Introduction to English Literature Reading and Writing Series Courses

Steven's reading and writing courses are customized to different lengths according to needs, such as 12 weeks or 20 weeks, including courses on different topics such as creative writing, college application essay writing, novels, poetry, drama, reading and writing. Students can also participate in uninterrupted year-round courses at any time. Some series are offered for more than four years until students graduate. The lessons are carefully prepared, and the content of each class is not repeated in the past four years. Steven has taught 2-3 cycles, and the earliest students have graduated from college, and he has accumulated a lot of experience.

 

Writing class schedule

 

Grades 6-7 Reading and Writing

Tuesday 6–8 pm (full, waiting list open)

Grades 8-10 Reading and Writing

Wednesday 6-8 pm (full, waiting list open)

Saturday 2-4 pm

Grades 10-12 Reading and Writing

Saturday 4:30-6:30 pm

 

SAT Vocabulary Grammar

Saturday 9:30-11:30 am

SAT Exercises and Explanations

Sunday 4:30-6:30 pm

 

Place

5549 Dunbar St, Vancouver

Face-to-face and Online teaching start simultaneously

 

Literary reading and writing

1. Introduction to Reading and Writing about Literature

2. The Role of Good Reading

3. The Writing Process

4. Common Writing Assignments

5. Writing about Stories

6. Writing about Poems

7. Writing about Plays

8. Writing a Literary Research Paper

9. Literary Criticism and Literary Theory

The course structure is generally: each class consists of more than 30-40 pages of PPT, the teacher carefully prepares the lesson, the lecture rhythm is efficient, and the focus is on inspiration and guidance.

 

1. Writing Prompts

After clarifying the classroom teaching objectives, use about 10 minutes to practice timed short essay writing and answer some specially designed small questions that encourage students to think for themselves. For example, "What have your views and opinions changed recently? Why? Why should you move to another place? Why? Why should you be here? Sometimes we discuss annoying things happening around students and how to deal with them. Sometimes we lead students to brainstorm and make associations, for example: "List as many verbs related to the ocean as possible", followed by a round of discussion... Students share their thoughts and learn from each other

2. Go to the "Literary Reading and Writing" section

This course content is tailored for most secondary school English courses. It begins by developing good reading and writing habits, such as close reading, note-taking, planning outlines, and drafting thesis statements. Then, it focuses on specific types of writing, such as summarizing, analyzing, comparing/contrasting, research papers, timed essays, and analysis of the major literary genres that students will study, such as short stories, novels, poems, plays, argumentative or narrative essays, etc.

3. Advanced grammar and sentence structure

The last part of each lesson focuses on sentence-level writing, with detailed analysis of wonderful sentences and hand-in-hand teaching of writing skills. The basic elements of grammar are taught, how to be used to create elegant sentences, and examples of works by famous writers from all over the world are selected from various periods. Students will learn how to use simple phrases and techniques to express their ideas in new and creative ways.

The following is a summary of one of the lessons in the Advanced Writing Course "Special Topic in Drama"

First, clarify the classroom teaching objectives:

  • Writing Prompt

  • Writing about plays

  • Review student essays (review, sample student essay)

  • Grammar, Free modifiers: branching sentences, writing practice

    1. Part I

    Part One: Start with a writing prompt that asks students to write about "A bird on a power line, looking for breakfast." Write from the bird's point of view, but don't mention that you are a bird. Discover the following themes: About yourself, About your surroundings, Freedom.

    Prompt

      • A bird is perched on a wire, looking for its morning meal. Write from the bird's perspective, wit hout mentioning that you're a bird.

    Prompt

    Discovered ideas/themes:

        • About myself
        • About my environment
        • Freedom

     

    2. Part 2

    Then analyze the elements and characteristics of the drama, the plot, characters, themes, scenes, etc., the theater, actors, and audience analysis... How to read classic drama passages

    How to read a play

    • Most playwrights do not intend their plays to be “read”

    • Plays are written to be performed and watched

    • Use your imagination to see how each line of stage direction and dialogue might be performed

    • Try to watch critically acclaimed film versions of your play, if available.

    • If you can watch a performance live, even better! (Bard on the Beach)

     

    How to read a play: Director's questions (1 of 2)

     

    • What is the main message /theme ? What are the dominant emotions?

    • What kind of theatre is best to perform this play in ? A huge concert hall or an intimate 20-seat venue?

    • Who will come to watch this performance? Old/young? Families? Educated? Wealthy? A mix? Who will the play resonate with the most?

    • Which actors/celebrities would you cast in the lead roles? What do they look like (age, physical description…)? What do they sound like (loud? obnoxious? shrill? soft? timid? self-assured…)?

    • What kinds of physical movement do you want to see on stage? Where are the most dramatic moments in the script? Calmest moments?

     

    How to read a play: Director's questions (2 of 2)

     

    • What would the set design look like? How does it change or remain the same at various points of the play?

    • What kind of costumes will be used? Period-specific? Modern? How do the changes in costuming contribute to character development?

    • How much spectacle do you want? Will there be vivid sound or lighting effects? Or will it be more understated, letting dialogue and silence create tension instead? How does the spectacle contribute to the play's message?

     

    Plays: First impressions (The Master Builder, Ibsen, 1892)

      Plays: First impressions (The Master Builder, Ibsen, 1892)

    Plays: First impressions (The Cherry Orchard, Chekhov, 1903)

     

    How to Write a Drama Review

    Plays: First impressions (The Master Builder, Ibsen, 1892)

     

    Introduce and analyze several student essays

    Writing about Plays: Student Example

     

    3.

    It is an analysis of famous quotes: the use of vocabulary, advanced grammar and sentence structure, such as how to start a sentence with a verb, adjective, preposition and conjunction, the analysis of the emphasis and effect of inversion, and the learning of reading skills, expression skills, By analyzing famous plays, students can master the beautiful words and sentences.

     

    The following are excerpts and analysis of famous quotes:

    Short sentences

    • The moose is as winter a creature as just about any.( Trudy Dittmar. Fauna and Flora, Earth and Sky, 33 )

    • The streets were calm with Sunday. ( Aimee Bender, An Invisible Sign of My Own, 69 )

    • The world was newborn. ( Jonathan Franzen, The Corrections, 329 )

    Grammar as Style: Free modifiers, Branching sentences

    • The stream of sound is not continuous, but is produced and interpreted (though seldom consciously) as a series of separated word-groups....It is segmented into minor syntactical units, each of which has superimposed upon it a pattern of stress and intonation. ( Ian Gordon, The Movement of English Prose, 19,21 )

     

    Branching sentences

    • During the slow journey from Winton, seated opposite me in the third-class compartment, wearing a shabby gray dress pinned with a large cairngorm brooch, a thin necklet of fur, and a black-winged hat which dropped over her ear, she had gazed out of the window, her head to one side, her lips moving as she maintained a silent yet emotional conversation with herself, from time to time touching the corner of her eye with her handkerchief as though removing a fly. ( AJ Cronin, The Green Years, 3 )

     

    Conjunctions and coordination

    • There was a crowd of kids watching the car, and the square was hot, and the trees were green, and the flags hung on their staffs, and it was good to get out of the sun and under the shade of the arcade that runs all the way around the square. ( Ernest Hemingway. The Sun Also Rises, 94 )

    • He made the Emperor laugh and the horse couldn't better him, so he stayed. And I stayed. And we became friends. ( Jeanette Winterson, The Passion, 4 )

    Verb phrases

    • After Inniscarra the hills gather closely, and the river laughs out loud. It dances, it prances, it rushes, it slides, calm for a moment then onward again, stream racing stream, leaping and tumbling, wild Bacchanalian, wine from the mountains, froth from the ecstasy blown through the reeds. Mile after mile, past larch woods and beech woods and fern-covered hillsides, castles, and 'standing stones' cresting high ground. In comes the torrent from wild Knockabrocka, bringing turf waters from Aghabullogue; down comes the water from Carriganish. ( Robert Gibbings , Lovely is the Lee, 190 )

    Noun phrases

    • Leaves long dead and brittle as old butterfly wings, an aqua candy wrapper, flecks and dust and seed-sized snips of gutter chaff all hurried in a rustling revolution under our eyes...( John Updlike. The Centaur, 130)

    • Pursuit planes were traded for additional cargo ships or retained for emergency invoice duty and small-parcel services; trucks and tanks were procured from the ground forces and used for short-distance road hauling. ( Joseph Heller, Catch-22,259 )

    • She bought the green glove silk slip and the tea-colored lace. ( Katherine Anne Porter, Flowering Judas and Other Stories. 200)

    Prepositions

    • The procession of men and women from the street into the station and down the escalators towards the trains becomes a movement from a world above to an underworld of death. ( Ralph Freedman. The Lyrical Novel, 258 )

    • All the way home in the taxi and in the life up to her flat on the seventh floor. Mrs. Liebig kept on talking. ( Angus Wilson, A bit off the Map and Other Stories, 107)

    Through writing course training, students' thinking and writing skills are steadily improving, and they are good at oral and written expression. Most students think that this training is very helpful for them to prepare for college entrance essays, as well as to conceive creative writing and find interesting characters and plots. Some students won the first place in English and sociology in the school; some won writing competitions; some students wrote high-level papers and entered the Iowa Writing Summer Camp. Students of all levels can benefit greatly, their English scores in school have improved, and most importantly, students have learned to think deeply. As some graduates said when they visited their teachers before leaving, they not only learned writing skills, but also changed and established their outlook on life.

     

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